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SO HIDEOUS "None But A Pure Heart Can Sing" LP

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None But a Pure Heart Can Sing is a new and astonishing piece of work from this adventurous band. Still raging as hard as ever, still expressing the extremes of torment and beauty, None But a Pure Heart Can Sing sees So Hideous incorporate new sounds and rhythms into its approach.

Brandon Cruz describes in detail the new direction the band has taken: "I think we still have the foundation of what we laid before, being influenced largely by Japanese post-metal bands Mono and Envy, and composers such as Arvo Part and Max Richter. We wanted more rhythm this time and we expanded outward to include influences from Fela Kuti and Tony Allen's Afrobeat percussion, James Brown's horn section, and the balladry of Otis Redding and Sam Cooke. It was also nice to finally experiment a bit with more Penderecki-style tone clusters and glissando on the more dissonant sections."

Absolutely thrilling on a musical level, absolutely cathartic on an emotional level, None But a Pure Heart Can Sing is an example of the triumph of art created with open minds and open hearts.

Discussing the concepts behind None But a Pure Heart Can Sing, Brandon Cruz states: "The record is about rediscovering the freedom to share your passion, whether it be your art or your own voice, without any angst, anger or second thoughts. We talked a lot about the times we used to get into a room to play when we were 16 or whatever and the only barometer was if it 'felt right and sounded good.' When you see little kids they just extemporaneously break out into song and dance. They don’t care who’s watching. I had this idea of someone in some form of captivity, yearning to be free and sing her song."

None But a Pure Heart Can Sing was engineered, mixed and mastered by The Dillinger Escape Plan guitarist Kevin Antreassian at Backroom Studios. The vocals were recorded at Atomic Garden West by Jesse Nichols.

Tracklist:
01. Souvenir (Echo)
02. The Emerald Pearl
03. Intermezzo (3)
04. Motorik Visage
05. From Now (Til The Time We're Still)
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